It’s impossible to get a degree in creative writing without hearing the phrase “writer’s block” approximately 10 bajillion times. After constant discussion of it, I’ve come to the conclusion that writer’s block is kind of like Santa Claus – he sneaks into your house in the middle of the night, distracts you with shiny new playthings, and you run out of cookies a lot faster when he’s around. Most of all , the older I get, the less I believe in his existence. Nevertheless, he’s in so many stories and ringing bells on so many street corners, it’s hard to escape the idea of him. He might as well be real.
This post is not about writer’s block or Christmas (or my weakness for creating increasingly labored metaphors). It’s about a phenomenon I personally have never heard discussed, but have experienced several times. It’s like Santa Claus’ evil twin, the one who secretly goes around punishing those on the Naughty List and suppressing all the elf uprisings. Every now and then, I find myself locked in a fierce battle with him: reader’s block.
I first encountered him when I was eight and several chapters into Harry Potter and the Chamber of Secrets. There was a creepy disembodied voice only Harry could hear and students were being attacked every which way. Simply put, I was so scared for Harry, Ron, and Hermione* that I couldn’t read on for several weeks. My father had been reading the book at the same rate and I eventually had to let him read ahead of me, a tremendous blow to my childhood pride.
Fast forward twelve years and The Book Thief, once I finally started it, nearly drove me to a complete reader’s block relapse. I generally read a lot like I eat – not necessarily fast, but singlemindedly. While I usually finish a book like The Book Thief in a sitting or two, it took me a month. The book was set in Germany during World War II, centered around a family who harbors a Jewish acquaintance in their basement. I could only read it in bits and pieces, a sense of familiar dread growing as I couldn’t help getting more and more emotionally attached to the characters.
Trailer for The Book Thief‘s upcoming movie!
Why do I bring it up now? Because almost a month after the release of Battle Magic, a new book by one of my favorite authors of all time, I’m only halfway in. I haven’t touched it in weeks… I’m never “in the right mood.” Battle Magic is a novel set in between already-released books in Tamora Pierce’s Circle universe. From reading the The Will of the Empress, I know that this story is about the time that Briar, Rosethorn, and Evvy – characters I know and love – get caught in the middle of a war. I know the experiences they have in Battle Magic are enough to give them all nightmares and PTSD.** As much as I love Pierce’s writing, it’s hard for me to know that these characters, who I think about like I do my own friends, are about to go through something so horrible.
It makes me wonder what it’s like for a writer to do something like that to her characters. You have to, or else there’s no story. You have to know them, and you have to make them suffer. You may not always have to kill your darlings, but you always have to at least torture them a little. I’ve never gotten to that point in my own fiction writing. With short stories, I feel like I always catch my characters before they hit rock bottom. I write a lot more poetry, usually, a different beast entirely. And with creative nonfiction, well, it’s writing down the things that have already happened. Though there’s still that same impulse to try and protect my characters.
Which books have you gotten stuck on? Any advice you have for getting yourself to move past it?
*Which I then read as “Hermy-own,” which my entire family persisted on until Goblet of Fire set us straight. I also read Neville as “Neh-veal,” a pronunciation I’ve never heard of anyone else ever using.
**Not spoilers, by the way. This emerges very early on in The Will of the Empress, and doesn’t give anything away about the earlier books in the series.